{"id":8153,"date":"2021-07-02T12:00:27","date_gmt":"2021-07-02T10:00:27","guid":{"rendered":"https:\/\/www.geh8.de\/en\/?p=8153"},"modified":"2022-03-08T11:01:42","modified_gmt":"2022-03-08T10:01:42","slug":"ausstellungseroeffnung-gruener-wirds-nicht","status":"publish","type":"post","link":"https:\/\/www.geh8.de\/en\/ausstellungseroeffnung-gruener-wirds-nicht\/","title":{"rendered":"Exhibition + Finissage-Brunch: Gr\u00fcner wird’s nicht!?"},"content":{"rendered":"
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Exhibition + Finissage-Brunch<\/strong> \u201e<\/span>Gr\u00fcner wird’s nicht!?<\/strong>”<\/p>\n<\/div>\n

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In the discussion of the annual theme 2021 of the GEH8 “Gr\u00fcner wird’s nicht!?” the artists Heinz Schm\u00f6ller and Thomas Judisch conceive an expansive exhibition for the hall of the Atelierhaus. On display will be artworks by artists who express themselves in a processual and installative way in their working methods. They question concepts of sustainability and the idea of a more conscious life in the future. Objects and installations combine to form a parkour of artifacts.<\/p>\n

Ceramic objects that deal with disposable packaging (Stephen Wilks) can be found next to casts in bronze of objects from our everyday world of goods (Thomas Judisch). Old VEB factory gloves are turned inside out to show the recyclability of things (Raffael Rheinsberg). Large plate reliefs deal with the similarity of discarded circuit boards and the cuneiform writing of ancient artifacts (Jahna Dahms). Foam columns proliferate like mushrooms that seem to keep the shaky setting stable (Verena Issel). A video installation moves between land art and performative technology fetish (Praxis f\u00fcr alternative Handlungen). And a group of young artists* present assertions on the theme of “further, further,…” on an island-like installation (Muthesius Kunsthochschule). (Muthesius Academy of Fine Arts, Kiel). Yes, and hovering over everything the question of the changeability of a culture in material abundance to a utopia of appreciation.<\/p>\n

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Carolin Ott, \u00bbweiterverpflanzen\u00ab, 2020, Steinzeug, extrudet und aufgebaut, 1280\u00b0 Oxidation, engobiert und glasiert, Picture:<\/strong> Fabian Catoni<\/figcaption><\/figure>\n

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Am\u00e9lie Munich, \u00bbLe th\u00e9 est servi\u00ab, 2020 wei\u00dfer und roter Ton, Glass (Glasobjekte aus CIAV Meisenthal, Frankreich), Picture:<\/strong> Fabian Catoni<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Clara Hoffmann, \u00bbHinein und Hinaus\u00ab, 2020, Steinzeug, Engobe, Picture:<\/strong> Fabian Catoni<\/figcaption><\/figure>\n<\/div>\n
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Tom Vo\u00df, ohne Titel, 2020, Steinzeugguss, Glasur, Stahlgestell, Foto:<\/strong> Fabian Catoni<\/figcaption><\/figure>\n

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Jahna Dahms, \u00bbDecoder\u00ab, 2021, Relief, keramische Masse, historisches Pigment, Blatt-Gold mehrteilig, Picture:<\/strong> Fabian Cantoni<\/figcaption><\/figure>\n

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In Jung, \u00bbIt was a long way and i am here\u00ab, 2020, Porzellan, Picture:<\/strong> Fabian Catoni<\/figcaption><\/figure>\n

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Stephen Wilks, Globus, 2016, Keramik, Holz, Metall, Picture:<\/strong> Fabian Catoni<\/figcaption><\/figure>\n

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Erik Hilber, \u00bbMushscape\u00ab, 2020, Steinzeug, glasiert, Picture: <\/strong>Fabian Cantoni<\/figcaption><\/figure>\n

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Thomas Judisch, \u00bbEin Winterm\u00e4rchen\u00ab, 2021, Glas, Metall, Version GEH8, Picture:<\/strong> Fabian Catoni<\/figcaption><\/figure>\n

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Here you can see some impressions:<\/h2>\n
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